Vince Vaughn

[on quitting smoking] I quit smoking four months ago and since then I have been biting-chewing-fidgeting with anything that isn’t nailed down. I quit cold turkey. I was up to two packs a day, I’m coughing, my eyes are red, I don’t have energy, I’m not even enjoying it, so I just said, ‘That’s it.’ I think it might’ve been easier if I went with Nicorette or one of those supplements, but I just don’t get that. Let’s see, I’m addicted to something, so I know! Let’s pop some pills to get over it! Yeah, that makes sense. But now I find myself in conversations where people are looking at me and I’m salivating all over myself. This is how pathetic and sad it is: you start thinking, ‘Who am I without a cigarette in my hand?’

My grandfather was a farmer so I was always raised that you worked very hard whatever your job is; my sister was a teacher. You’re to be respected if you try hard and try to be good at something and the results are less important. You can’t control that. The more important thing is that you tried your best. But now there’s much more of an intention where some of these kids don’t want to be actors, they want to be famous! Their focus isn’t necessarily on craftsmanship.

The last book I read was the book I’ve been rereading most of my life, The Fountainhead.

I’ve never done a romantic comedy, because it seems they can’t just tell a love story. It’s always something like a radio station does a poll and decides these two people will get along, and if they do they get a million dollars. You don’t need all of that to get into a love story.

The best thing as an actor, the best tool you have is your imagination. That you kind of take things that have happened, and then go and expand on them. However small it is, you use your imagination to create what that reality is. There’s something kind of fun when you’re not old enough to do anything, driving a car, getting into a bar, drinking, going to a party you don’t belong to, something when you’re young in that innocent way.

As a kid I had a hard time reading in school. I was the kid who would go one period a day to the class for kids with learning disabilities.

I like to write about women, not so much about the way they relate to men, but about the way they relate to each other.

I try to keep a low profile in general. Not with my art, but just as a person.

It’s crazy because, you know, my parents always want me to watch old films to make me realize how amazing some of the older actors are. And I was obsessed as soon as I watched ‘Stand by Me.

I’m having a great time. I get to travel and see the world. And yeah, I’ll have a family, because I don’t want to miss out on that amazing experience, but it’s not defining who I am.

There’s no substitute to being successful on an actual chart.

I wrote my own verses. Anything I did, I wrote myself.

His (Freddie Mercury) words got better quickly. There were some very overt lyrics. Don’t Stop Me Now is a good example. He was having a good time, and that was very much a cri de coeur. Some lyrics we wrote together like I’m Going Slightly Mad, which was funny. We had fun coming up with daft things, all those ridiculous phrases. I’d say it was Freddie’s actual musicality which was the cleverest thing of all, the notes, and his harmonic structure was quite brilliant. When he wrote The Fairy Feller’s Master-Stroke, on the second album, he was crossing sections of six-part harmonies, and I thought: “Bloody hell, that is tricky stuff.” Then there’s The March Of The Black Queen, which is almost like prog-rock, and so outrageously complicated that I can’t even remember the arrangement myself. When you write songs that complex, you have to work hard at it, and it did invoke a lot of head-scratching. But then he’d come up with Killer Queen or, later on, lots of simple things like Crazy Little Thing. He had it on all sides. Freddie evolved. I always called him ‘the man who invented himself’. I think the talent was innate, but he dug deep inside himself and forced it out. His determination was quite something.

I’m just glad to be feeling better. I really thought I’d be seeing Elvis soon.

I think some fans want everything to stay they same because they want to stay the same.

I always used to develop a cold going into the studio.

I don’t try to just be a blues singer – I try to be an entertainer. That has kept me going.

I was young when I first went to America. I was 19 years old, and I went crazy. I met The GTOs and my mind just snapped. I’m from a nowhere town in the Midlands and here were these girls with bare breasts blatantly coming on, and of course we went crazy.

Freud: If it’s not one thing, it’s your mother.

[on The Who’s performance at Woodstock] It was the worst gig we ever played.

That’s exactly what Dale Sr. was going to do. It was, ‘When I quit, I’ve got somewhere to go. I’ve spent my money, made my name. This is where I want to be.’ Junior is in the same suit.