Roger Taylor

One Christmas, when Freddie and I were flatmates in Kensington, we were trying to cook Christmas dinner but all we had was a packet of bread sauce that you make with water. We used to dream of a can of beans. (…) At Ridge Farm, when we weren’t working we would swim, play bad tennis, bad snooker and be beaten at table tennis by Freddie. I think he had been the champion at his boarding school and I never, ever saw him lose a game. That summer was more like a youth club rather than wild parties. In the evenings we would go down to the pub, come back to the barn and play more music.

[On drum machines] Fantastic to write with. They have their place, they’re terribly useful to the musician, but they’re just another tool. They never will replace a good drummer. A lot of the bands that use them, I call them typewriter bands because basically they program the sample sounds with no real dynamics, and that dynamics is very important. And the records come out sounding very flat and very 2-dimensional whereas something with real dynamics and a good drummer can add another dimension – depth – to the band and that’s why bands that play together when they’re actually making the record will always sound better.

We (pop stars) are people not androids. We’ve got views. I’ve got opinions and I don’t see why I shouldn’t use a bit of my art to put them over. I think music is one of the most powerful media forces in the world today.

We’re not going out there with somebody pretending to be Freddie Mercury. We are what we are now; we’re not what we were then, we’re just going out, playing our songs.

His (Freddie Mercury) words got better quickly. There were some very overt lyrics. Don’t Stop Me Now is a good example. He was having a good time, and that was very much a cri de coeur. Some lyrics we wrote together like I’m Going Slightly Mad, which was funny. We had fun coming up with daft things, all those ridiculous phrases. I’d say it was Freddie’s actual musicality which was the cleverest thing of all, the notes, and his harmonic structure was quite brilliant. When he wrote The Fairy Feller’s Master-Stroke, on the second album, he was crossing sections of six-part harmonies, and I thought: “Bloody hell, that is tricky stuff.” Then there’s The March Of The Black Queen, which is almost like prog-rock, and so outrageously complicated that I can’t even remember the arrangement myself. When you write songs that complex, you have to work hard at it, and it did invoke a lot of head-scratching. But then he’d come up with Killer Queen or, later on, lots of simple things like Crazy Little Thing. He had it on all sides. Freddie evolved. I always called him ‘the man who invented himself’. I think the talent was innate, but he dug deep inside himself and forced it out. His determination was quite something.

The first time I saw Led Zeppelin, Bonzo (John Bonham) just walked on the stage and just warmed up for about 10 seconds. Freddie (Freddie Mercury) and I nearly fell over we just couldn’t believe the power and the sound. People are still today trying to imitate Led Zeppelin, America is full of drummers trying to play like John Bonham.

I might get mad all over again watching our premiere.

I like someone who’s not afraid to be a kid!

Whenever I have bid a hasty goodbye to a loved one, I’ve always made sure that my record collection was safely stored away in the boot of the car….Sometimes the parting was so fast, I was not able to get them into alphabetical order, but I still got away with my records, that was essential.

I’ve got this brilliant thing where I go, “I’m Robbie Williams”, and people are interested in what I want to say – which is amazing because I’m just an idiot from Stoke-on-Trent.

[On asserting herself] They want people they can push around. I was the girl who was always asking, “Why? Yeah, I know you want me to do that – but why?” I always thought people wanted to hear my opinions. (Grins) But I gave them anyway. It’s just blind self-confidence. I get like a little terrier about things. My mother says I should have been an attorney.

You can tell an honest artist from one who’s just given all their songs.

[on Brad Pitt] I don’t know… I guess…. he’s a nice person and a GOOD kisser!

What is really important for a woman, you know, even more than being beautiful or intelligent, is to be entertaining.

I did (training in) tennis, ballet, swing dancing, piano, art class and etiquette. I also did French dialect, but then it was mixing me up with my Southern dialect, so we stuck to Southern!

I didn’t really have any idea of what Hollywood was except that it was a place where the made movies.

We’re ride or die. But I don’t accept the way we criticize and judge each other anymore. My personal growth doesn’t allow it.

History’s gonna be harder to make than I thought.

I have three closets in my bedroom.

[on accepting his CBE] I owe everything to the musicians I work with. From the UK to Africa to Tennessee, it is their brilliance that I bounce off. Alone I’m nothing.

There wasn’t much sex and drugs… well, there wasn’t much drugs!