Roger Taylor

I saw Buddy Rich playing. He was wonderful, fantastic. I would say of just sheer technique he’s the best I’ve ever seen.

There are stereotypes and it is quite amazing how often members of bands seem to follow those stereotypes. Singers are all vain. Guitarists are all vain but won’t admit it. Bass players are quiet people, and drummers are very exciting people to be with.

Impossible to believe that dear Freddie has been gone for 10 years now. The immediate pain has obviously retreated but I can honestly say that not a day goes by when I do not think about him and miss his presence. He filled a very large part of my life – the life of the others in the band – but most especially the millions of people he never met! As I look back, I think the one thing that tends to be unsaid – aside from the obvious traits of fun, utrageousness, generosity of spirit, vocal ability etc – is the sheer brilliance of his musicianship. Leagues ahead baby. Fred – we love you – we miss you old friend!

[On drum machines] Fantastic to write with. They have their place, they’re terribly useful to the musician, but they’re just another tool. They never will replace a good drummer. A lot of the bands that use them, I call them typewriter bands because basically they program the sample sounds with no real dynamics, and that dynamics is very important. And the records come out sounding very flat and very 2-dimensional whereas something with real dynamics and a good drummer can add another dimension – depth – to the band and that’s why bands that play together when they’re actually making the record will always sound better.

There wasn’t much sex and drugs… well, there wasn’t much drugs!

His (Freddie Mercury) words got better quickly. There were some very overt lyrics. Don’t Stop Me Now is a good example. He was having a good time, and that was very much a cri de coeur. Some lyrics we wrote together like I’m Going Slightly Mad, which was funny. We had fun coming up with daft things, all those ridiculous phrases. I’d say it was Freddie’s actual musicality which was the cleverest thing of all, the notes, and his harmonic structure was quite brilliant. When he wrote The Fairy Feller’s Master-Stroke, on the second album, he was crossing sections of six-part harmonies, and I thought: “Bloody hell, that is tricky stuff.” Then there’s The March Of The Black Queen, which is almost like prog-rock, and so outrageously complicated that I can’t even remember the arrangement myself. When you write songs that complex, you have to work hard at it, and it did invoke a lot of head-scratching. But then he’d come up with Killer Queen or, later on, lots of simple things like Crazy Little Thing. He had it on all sides. Freddie evolved. I always called him ‘the man who invented himself’. I think the talent was innate, but he dug deep inside himself and forced it out. His determination was quite something.

I work, and then whenever I have any other time, I’m with my daughter, and then I go to sleep. I think you basically have to abandon the dreams of having any other adult activities in your life. You have to go to sleep whenever your child goes to sleep. That’s basically how we’re doing it.

I did (training in) tennis, ballet, swing dancing, piano, art class and etiquette. I also did French dialect, but then it was mixing me up with my Southern dialect, so we stuck to Southern!

I sometimes do worry that actors are people’s role models, you know. And doctors and teachers and people doing really important things just get paid nothing. And they put us on the cover of magazines. They should be our heroes. I find it all a bit dubious.

There are things that I do that feminists don’t like, and there are things that I do that they do like. I don’t label myself.

Congratulations, Congress! 77% disapproval rating! You may be about to become the English language’s most offensive C-word.

All I could think about was, ‘I just wanna blow him away. I wanna make him proud, because I really wanna sign with Timbaland and spend the rest of my career making music with Tim.’

Part of being a sex symbol is very flattering and it does help you get success in the business – but only to a point. You’re stuck with that moniker forever, and it does cloud people’s imagination. They just can’t see you being able to do anything else.

Here in L.A. the standard of beauty is kind of ridiculous. I want to be doing this when I’m in my fifties and sixties and this isn’t what I’m going to look like.

You don’t need anybody to tell you who you are or what you are. You are what you are!

I have cellulite. I have stretch marks. I feel intimidated by Victoria’s Secret. Hollywood is one of those endless competitions, but it’s like running a race toward nothing. There’s no winning. You’re never going to win the pretty race. I just want to be the best version of myself that I can be.

You know, I get a lot of people pitching songs to me.

I don’t think I’ve aged gracefully.

I always thought that was so strange that people would try to corral you and pigeonhole you in one category and not play you anywhere else.

I don’t know how I feel right now.

Know what? Bitches get shit done.