Carly Simon

The other day I came across a recording I made of a night at my apartment when I was living with Kris Kristofferson. Bob Dylan had been around earlier and we were all passing around the guitar. Whenever it came to my turn I would run into the kitchen and say I’d left the coffee on the stove or something. Shyness. Scared to perform.

Music brought me closer to the idea of God.

I never identified with the feminist movement in a strong way. I just kind of lived it. I didn’t politicize it. I didn’t follow any written rules to what it meant to be a feminist. I had my own sense of what was right and wrong.

There are a few things that were just sheer, unadulterated joy, like the birth of my children.

There was a lot of charm in just living in a big family compound of a house. My two uncles, who were into jazz, lived in the basement, and one of them, Uncle Peter, taught me my first songs on the ukulele.

I grew up not understanding what was true and what was not true. It gave me a sense of unreality.

One of the problems of people who live with pain is that they spend the whole day thinking about it, and it’s exasperating. But even when I am having a bad moment and I can’t get myself together, I get on stage and for an hour or two the pain becomes super-small. It’s about controlling the mind, telling the pain to step aside. Music does that. It’s the most fantastic drug in the world.

My version of Georgia became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.

You’re just a little too hip for the room. It’s not good to be too hip because two hips make an ass.

It’s not exclusive, but inclusive, which is the whole spirit of jazz.

Bebop was about change, about evolution. It wasn’t about standing still and being safe.

Jazz music has become academic. Sometimes that doesn’t feel right to me.

If you have to ask what jazz is, you’ll never know.

Music should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise. It’s easy to rediscover part of yourself, but through art you can be shown part of yourself you never knew existed. That’s the real mission of art. The artist has to find something within himself that’s universal and which he can put into terms that are communicable to other people. The magic of it is that art can communicate to a person without his realizing it.

Django Reinhardt was fantastic. he must have been playing all the time to be that good.

I went through a lot of mental pains and anguish about choosing between jazz and classical. I realized that where I functioned was where I should be, and where I functioned was in jazz, so that was it.

[on Django Reinhardt] This was a man who changed my musical life by giving me a whole new perspective on the guitar and, on an even more profound level, on my relationship with sound…During my formative years, as I listened to Django’s records, especially songs like ‘Nuages’ that I would play for the rest of my life, I studied his technique. Even more, I studied his gentleness. I love the human sound he gave his acoustic guitar.

Music is the tool to express life – and all that makes a difference.

I was never interested in singing in the church or school. I was more interested in becoming a musician.

I guess what everyone wants more than anything else is to be loved. And to know that you loved me for my singing is too much for me. Forgive me if I don’t have all the words. Maybe I can sing it and you’ll understand.

But the guitar, my lady, whether well played or badly played, well strung or badly strung, is pleasant to hear and listen to; being so easy to learn, it attracts the busiest of talented people and makes them put aside loftier occupations so that they may hold a guitar in their hands.