B. B. King

I don’t like to feel that I owe anything. I like to feel that I pay my own way – there’s no free lunch. And when people give me all these great compliments, I thank them but still go back to my room and practice. And a lot of times I say to myself ‘I wish I could be worthy of all the compliments that people give me sometime.’ I am not inventing anything that’s going to stop cancer or muscular distrophy or anything, but I like to feel that my time and talent is always there for the people that need it.

I knew that if I went to town on a Saturday, which I did, and there was two fountains, one said “Black” and one said “White.” I didn’t think other than that if you want to stay out of trouble, leave the white one alone. I also noticed that when I went to the restrooms there was one that said “White Men,” “White Ladies” and “Colored.” That’s all I knew. I grew up with it. It wasn’t like somebody just threw me down there and said, “You don’t bother that…” But I was taught that in my early life. My family would always say – because there was people being lynched around me. I haven’t seen people be lynched, but I’ve seen them after they was. And I was told by some of the elders that, you know, “Unless you do certain things this can happen to you or that can happen to you. You don’t bother the white ladies, you don’t do this, you don’t do that,” and I learned that at an early age and to me it was just part of my training. I think this is why black people never did resist for such a long, long time because if there’s any such thing as being brainwashed I was brainwashed, but it didn’t bother me.

The Blues? It’s the mother of American music. That’s what is is – the source.

You’ve heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain’t never heard me call myself a blues guitar man. Well, that’s because there’s been so many can do it better’n I can, play the blues better’n me. I think a lot of them have told me things, taught me things.

I developed in my head that I’m never any better than my last concert or the last time I played, so it’s like an audition each time. You get nervous just before going onstage. I still have that, but I think it’s more like concern. You’re concerned about the people – like meeting your in-laws for the first time.

I was a singing disc jockey who heard every type of music there was – and loved it all.

Jazz music is collective creativity.

To this day, no one has come up with a set of rules for originality. There aren’t any.

All musicians stimulate each other. The vibrations get scattered around.

I was always exposed to music. Mom and dad would have the radio on constantly.

It is better to be felt than to be heard.

You know at an early age if you have a talent for music.

I really liked Wynton when I first met him. He’s still a nice young man, only confused.

A Jazz musician is a juggler who uses harmonies instead of oranges.

The expression of freedom that is Jazz improvisation mirrors the ethos of the best parts of society.

By giving the public a rich and full melody, distinctly arranged and well played, all the time creating new tone colors and patterns, I feel we have a better chance of being successful. I want a kick to my band, but I don’t want the rhythm to hog the spotlight.

Music is my mistress and she plays second fiddle to no one.

In this era it’s harder for musicians to get together, … Back in the ’80s, we were all at the clubs, you ran into people all the time. Now, everybody’s kind of in their own room with their computers. I use making an album as an opportunity to connect with musicians.

Technique is the ability to translate your ideas into sound through your instrument.

My style is to just play. The more “live” you capture your music-the more unthought-out-the more magical it is.

Creativity and artistic endeavors have a mission far beyond just making music for the sake of music.