Melody Gardot

I have a bit of supernatural take on life. For a moment, I went over to the other side. Since then, I can feel the presence of the departed. I’m very sensitive to it.

The first jazz I heard was Duke Ellington. I was learning to play classical music, but my teacher swapped out those lessons for jazz lessons because I had started adding grace notes to Tchaikovsky and Rachmaninoff.

The first time I ever had to go overseas for music was to play the Royal Festival Hall in London, singing in a tribute to Ella Fitzgerald, and that week was insane: Thursday I rehearse with the orchestra; Friday I sing two songs in front of 2,500 people, which I have never done before; and the next day I go to Abbey Road to record with Herbie Hancock; and then I am playing a pub in south London somewhere, and nobody cares because London have lost some sporting match; and then I go home and I’m standing in front of my washing machine, putting my unmentionables into the dryer, and in that instant, I just looked at myself and said ‘This life is going to be strange’.

If today I can practice a sport, and move around 90% of the time without a cane, it’s because of the love and support of my producers, record labels and above all my audience who have always believed in me. Otherwise I wouldn’t have made much more progress than I did in the hospital.

I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn’t remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn’t trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like ‘Wow, it’s a tune’.

When you make a sound, it carries on to infinity. Sound is a vibration. Vibration is energy. All of that survives in space long after we’re dead. When I walk on stage at the Wiener Staatsoper, I can feel the footsteps of Chopin and Rachmaninov.

There’s nothing I really wanted to do in life that I wasn’t able to get good at. That’s my skill. I’m not really specifically talented at anything except for the ability to learn. That’s what I do. That’s what I’m here for.

I think an extreme thing; I adjust it, I adjust it, I adjust it. That’s the way I get to it, but I have to push to, you know, the furthest concept possible.

I’ve discovered as I’ve grown up that life is far more complicated than you think it is when you’re a kid. It isn’t just a straight-forward fairytale.

I don’t particularly tell my guys to cheat. I just tell them not to get caught.

To me YES, AND means don’t be afraid to contribute. Always make sure you’re adding something to the discussion. Your initiations are worthwhile.

Neil Tennant and Chris Lowe write some really great stuff – stuff that would put Oscar Wilde to shame. If the Pet Shop Boys ever wanted a third member, I’d be there.

You do not send me to Brooklyn to get a cheesecake and then I come back and you’re gone.

I was young when I first went to America. I was 19 years old, and I went crazy. I met The GTOs and my mind just snapped. I’m from a nowhere town in the Midlands and here were these girls with bare breasts blatantly coming on, and of course we went crazy.

I want to experience Dallas. It’s a new city where I see new business opportunities.

By the time you are in your 40s, what you want to wear and what you think is sexy is not always, like, for another person. It’s what makes you feel good.

[On Laura Nyro] Anything she wanted, I wanted to get for her.

Everyone has these two visions when they hold their child for the first time. The first is your child as an adult saying ‘I want to thank the Nobel Committee for this award.’ The other is ‘You want fries with that?’

[on Trump] He’s like the guy drowning but waving off a lifeboat saying, ‘Get out of here, I’m very buoyant. I’m the most buoyant. Everybody talks about my buoyancy. I’m a tremendous floater.’

I’d say I’m a bit of a fatalist but not as much as I was. I used to be like “whatever happens happens” and have that innate fatalistic outlook. But I think it’s more about what you are thinking in your own mind that is the most powerful aspect of controlling your own life.

I almost chopped my thumb off once. Just before I left home, I was about ten or eleven years old, and I was trying to open a bone. Can you imagine that? A bone! I was trying to get the marrow out of a bone, and I took the ax, and I went to chop it, and something slipped, and the ax went right down there and damn near cut it off