Jazz isn’t a what, it’s a how.
You give up your own personality when you imitate somebody.
I believe in things that are developed through hard work. I always like people who have developed long and hard, especially through introspection and a lot of dedication. I think what they arrive at is usually a much deeper and more beautiful thing than the person who seems to have that ability and fluidity from the beginning. I say this because itÂ’s a good message to give to young talents who feel as I used to.
My creed for art in general is that it should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise . . . a part of yourself you never knew existed.
I say this because it’s a good message to give to young talents who feel as I used to. You hear musicians playing with great fluidity and complete conception early on, and you don’t have that ability. I didn’t. I had to know what I was doing. And ultimately it turned out that these people weren’t able to carry their thing very far. I found myself being more attracted to artists who have developed through the years and become better and deeper musicians.I believe in things that are developed through hard work.
Music should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise. It’s easy to rediscover part of yourself, but through art you can be shown part of yourself you never knew existed. That’s the real mission of art. The artist has to find something within himself that’s universal and which he can put into terms that are communicable to other people. The magic of it is that art can communicate to a person without his realizing it.
Technique is the ability to translate your ideas into sound through your instrument.
Music is the shorthand of emotion
I’m not going to change the way I look or the way I feel to conform to anything. I’ve always been a freak. So I’ve been a freak all my life and I have to live with that, you know. I’m one of those people.
The more you listen, the more your hear.
The whole thing of being in music is not to control it but to be swept away by it.
If you’re going to make a mistake, make it loud so everybody else sounds wrong.
I never really thought about becoming a professional musician.
In fifteen seconds the difference between composition and improvisation is that in composition you have all the time you want to decide what to say in fifteen seconds, while in improvisation you have fifteen seconds.
One very important thing I learned from Monk was his complete dedication to music.
Musicianship is using your two ears.
You don’t have to live the blues to play the blues.
There is nothing more stuntastic than rapping in front of an orchestra.
Hell, nobody knows where jazz is going to go. There may be a kid right now in Chitlin Switch, Georgia, who is going to come along and upset everybody.
What I look for in concert is a connection with the audience.
It’s up to the individual to keep up with the times.
People involve themselves with the superficiality of Jazz without digging for its soul.