Carly Simon

The other day I came across a recording I made of a night at my apartment when I was living with Kris Kristofferson. Bob Dylan had been around earlier and we were all passing around the guitar. Whenever it came to my turn I would run into the kitchen and say I’d left the coffee on the stove or something. Shyness. Scared to perform.

I never identified with the feminist movement in a strong way. I just kind of lived it. I didn’t politicize it. I didn’t follow any written rules to what it meant to be a feminist. I had my own sense of what was right and wrong.

Music brought me closer to the idea of God.

As a child I used to read Gone with the Wind over and over again. I wanted to be Scarlett O’Hara. I never wanted to believe that it was possible that there could be infidelity. I never wanted to be believe that it was even possible for a man to look another way, even for a moment. My bubble of monogamy was pierced in a harsh way.

One of the things about creativity is you can be in denial about these things. When I found out I had cancer, there were four hours in which I was pounding my head on the marble kitchen top saying, “I can’t believe it, I can’t believe it.” But then I felt as if this little army in uniform was flooding me. They had come to help me fight it. I felt really strong about it after that. It was one of the strongest periods of my life.

I have simply found a way of loving through whatever absences or dejections have fallen like tree branches in my path.

[In 1969] I think lyrics have always been important to any serious writer of music.

I think the idea is now for blacks to write about the history of our music. It’s time for that, because whites have been doing it all the time. It’s time for us to do it ourselves and tell it like it is.

Sometimes I wish I could walk up to my music for the first time, as if I had never heard it before.

When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I’d play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well.

Something just grabs you about a song.

I felt a responsibility to present a viable alternative to the popular electric sound.

Canada has a passive-aggressive culture, with a lot of sarcasm and righteousness. That went with my weird messianic complex. The ego is a fascinating monster. I was taught from a young age that I had to serve, so that turned into me thinking I had to save the planet.

If my own work had more importance than any others, it’s because the piano is the key instrument in music.

My fans are the best in the world! They’ve grown up with me and stayed with me through this entire journey.

What I learned the most from Prince was putting art first, being creatively ambitious, and putting creativity at the forefront of what I do.

In music the passions enjoy themselves.

Musicians have a really big part to play in spreading messages because they’re able to reach a large portion of people on an emotional level. Artists reach people at their heart; it’s the only time we meet in one place and put our differences aside. When you’re in a forum listening to music, all you feel in that moment is love and the understanding.

You can have the greatest player in terms of mastering an instrument and be yawning your head off.

Play for the spiritual aspect, the emotion.

Miles Davis and John Coltrane were so cool, if alive today global warming wouldn’t be an issue.